I have been meaning to comment on this for sometime. Cosimo Caravello, an artist who works with food as his medium, created a sculpture of Jesus in the "crucfix" form out of chocolate that was to be part of a show called "My Sweet Lord" in NYC. But Bill Donahue, Cardinal Egan, and others managed to strong arm the gallery director into shutting the show down. They apparently objected to Jesus being portrayed in chocolate and in the nude. Chocolate must be evil. And I guess Jesus was not anatomically the same as other men... he must have only appeared to be a man. In real ife, he was probably more like a Ken doll. (St. James the Average rolls his eyes)
This is just another example of how out of touch most Christians are with postmodern art and the art world, and how they subtly affirm long condemned christological heresies (i.e. Docetism). There is nothing wrong with using chocolate as an artistic medium, which is precisely what this artist does as his trademark. What makes using chocolate as a medium bad? Has anyone ever stopped to wonder if wood or stone are acceptable mediums in which to portary Jesus Christ? I mean, we use stone to pave roads, and we burn wood in fires. Doesn't that make those materials profane? Has the Catholic League ever considered the unbelievable kitschy statues made of "resin"- and painted with tacky, pastel colors - that most Catholic bookstores and catalogs promote? Doesn't that cheap, mass-produced stuff demean Jesus Christ? And there is nothign wrong with portraying Jesus (in this manner) anatomically correctly.
The Catholic League, and many (I'm sorry to have to say this) "traditionalist" Christians simply do not understand modern and postmodern art, and the trajectory the art world has taken in the 20th century. And so, they condemn beautiful works of art like this (and it is a very nice looking Christ figure, if you ask me), making themselves look stupid and completely out of touch in the process. Further, they alienate a whole segment of the population (artists)
that they should be trying to reach. Artists like Caravello should be lauded for brininng Christ into the public forum of the art world; not condemned because they are not working with the same materials and in the same era as Poussin.
